Little Mermaid Audition Form
Beacon Performing Arts

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I am the parent or guardian of the auditioner. I give my permission for TheaterForms to collect this information and provide it to Beacon Performing Arts.
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Audition song (if you know what you will use):

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A headshot is preferred. Otherwise a front-facing picture of your head or head and torso, with just you centered in it, is acceptable. PHOTO IS REQUIRED (JPEG recommended)
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Please list your most recent acting experiences. Skip this if you are uploading a résumé or have a link to a talent profile entered above.
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Please tell us about any recent theatrical training you have had, or list special skills you have that might be useful in this production.
         
- Ariel is a strong-willed teenaged mermaid who longs to be human. She possesses a keen curiosity for the world both under and above the sea – much to the chagrin of her father, King Triton. Big-hearted, she’s more accepting of and delighted by others’ differences than most of her fellow merfolk, but she also has a rebellious streak that can get her into trouble. MEZZO SOPRANO
- Prince Eric is the adventurous human monarch who captures Ariel’s heart. Charming and sensitive in nature, he has a warm voice and demeanor that evoke his flair for romance. There is also a stubborn side to the Prince, who is determined to do whatever it takes to get what he wants – including the girl with the mysterious voice. TENOR
- Grimsby is Prince Eric’s prim and proper valet. Rigid in bearing and personality, he is constantly trying to guide Prince Eric toward the throne and a suitable bride fit for a royal marriage. Under his stern demeanor, Grimsby truly is fond of Eric, whom he worries about and attends to as though his own son.
- Flounder is Ariel’s sincere and sensitive best friend who rarely leaves her side. A spunky fish with a sweet sense of humor, he can be awkward and anxious around his unrequited crush. TENOR
- Scuttle is the know-it-all seagull who serves as Ariel’s expert on all things human. Garrulous and off-beat, Scuttle’s eccentricities are more endearing than aggravating. Even as he makes up ridiculous names and functions for common human objects, his intentions are friendly and his enthusiasm is infectious. TENOR
- King Triton, King of the Sea and a harried single father to seven girls, struggles to balance his political and paternal powers. A widower, Triton is as fond of his daughters as he is frustrated with their teenage angst. Even when unsure of his parenting technique, he is a tender patriarch who becomes a royal force to be reckoned with when Ariel’s safety and happiness is threatened by his sister, the Sea Witch Ursula. BARITONE
- Sebastian is the choirmaster of King Triton’s court who has a flair for the dramatic. A meticulous and uptight crab, Sebastian is ever-anxious, whether he’s conducting a concert premiere or protecting Ariel from Ursula. When he’s performing – which is almost always – he’s undeniably charismatic. TENOR -CARIBBEAN ACCENT
- Aquata, Andrina, Arista, Atina, Adella, and Allana are the daughters of King Triton and sisters to Ariel. Full of personality and sass, each should be distinct in character. ALTO/SOPRANO **Come to auditions with something unique on how you'd play this role.
- Flotsam and Jetsam are Ursula’s sinister lackeys. With devious charm, these electric eels convince Ariel to visit the Sea Witch. Tricky and menacing, they are always lurking about, ready to take advantage of sea inhabitants at their most vulnerable moments. ALTO/TENOR, strong dancers
- Ursula is the tentacled and manipulative Sea Witch who is sister to King Triton. Cunning and calculating, she will stop at nothing to get what she wants – and what she wants is Triton’s throne. To gain the upper-hand, she utilizes her slick sense of humor, a flash of glamour, and larger-than-life confidence. CONTRALTO
- Chef Louis is the melodramatic head chef in the palace. Wild and frenetic, he becomes physically and vocally flustered by Sebastian, who always manages to escape his grasp. TENOR FRENCH ACCENT
- The Pilot, the uniformed helmsman of Prince Eric’s ship, is a nautical expert who entertains the sailors with wild tales of the sea. A little too superstitious for Grimsby’s taste, the Pilot nevertheless maintains strict control of his ship and crew even as he sings with a jolly cadence. BARITONE
- The Sailors are the competent crew of Prince Eric’s ship. Hardy and eager for adventure, they are vigorous, efficient, and attentive to the Pilot’s orders, always prepared for rough seas and stormy weather
- Sea Creatures of various shapes, sizes, and species comprise the underwater ensemble of King Triton’s court. “Under the Sea” presents opportunities to showcase both talented singers and dancers.
- Windward and Leeward, trumpet fish, are heralds in King Triton’s court.
- The Gulls comprise Scuttle’s zany back-up flock in “Positoovity.” These feathered friends of Scuttle’s are equally as off-beat, talented – and very on-beat – dancers.
- The Maids are four palace servants who report to Grimsby. They haughtily assist Ariel in preparation for dinner with Prince Eric and are a bit jealous of this pretty stranger in their midst.
- The Chefs comprise the sous staff of the eccentric Chef Louis. Their equally overblown movement adds to the comedic chaos of dinner as they chase Louis around the dining room.
- The Princesses try everything they can to win the heart of Prince Eric. As none possesses the voice he is searching for, each should have an exaggerated and comedic personality that is revealed through song.
Conflicts
Please mark any conflicts you have with these rehearsal dates.
WE WILL NOT REHERASE EVERY DAY, we like to know your schedule/conflicts to arrange a rehearsal schedule as convenient for everyone.
Sunday rehearsals will be between 2-6
There will be 2-3 more rehearsals throughout the week, possibly including Saturdays. Evening rehearsals will be from 6-8pm, potentially 4-6pm for children. When marking your conlficts, list in the notes the conflict times as well.
Please check your calendar and check any dates when you cannot attend a rehearsal, so we can schedule rehearsals for specific scenes to minimize conflicts. No CONFLICTS ARE ACCEPTED AFTER AUDITIONS (unless an emergency)
Su M T W Th F Sa
March
15
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May
2
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No absences allowed (shown in bold):
All tech rehearsals and performances are required for all cast members.
Performances
Sunday March 15 is a mandatory meeting for ALL CAST and a read through
Tech Week is May 2-7
Shows are May 8-17, but please note: we expect to sell out all shows, and therefore will add May 22-24 and possibly Thursday night shows during show weeks
Conflict notes

Schedule your Audition
Choose an audition appointment time slot.
Friday, March 13
Saturday, March 14

Gender:
Please select your gender
Costume Size:
Please select your costume size. Your costumes will be provided for you, and will remain the property of Victory Theatre Group. If you are between sizes, please choose the larger size.
Parental Agreement:
PARENTS agree to attend rehearsals with their child (if under 12) and EVERY performance (except for one, to allow you to watch your child perform.)
Conflicts:
I understand that if I miss 2 unexcused rehearsals (those not listed) or any dress rehearsals, my lines and/or role may be given to someone else.
Assistance:
Update Info:
I understand I must accept the Band App and join the Facebook group to keep up to date on information pertaining to the production. (Please do this before you leave auditions). Failure to do so, may result in being removed from the production.
Video/Photo Release:
I authorize Beacon Performing Arts, and those acting pursuant to its authority, to (1) record my participation and appearance on videotape, audiotape, film, photography or an other medium; (2) Use my name, likeness, voice and/or biographical material in connection thereto; (3) Exhibit or distribute such material in whole or in part without restrictions or limitations for any publicity or promotional purpose which Beacon, and those acting in pursuant to its authority, deem appropriate.
Production Fee:
By filling out this audition form, I understand that there is a non-refundable production fee of $250 if I am cast in the show, that helps cover the production costs, costuming, advertising, and licensing fees.
Liability/Code of Conduct:
I agree to read, print, and sign the Release of Liability Waiver AND the Code of Conduct, downloaded from our website. https://www.beaconpatx.com/policies--procedures.html AND https://www.beaconpatx.com/release-of-liability.html
Preparation:
I understand that I must come prepared to sing 16-32 measures of a song (aprox 1-2 minutes) from LITTLE MERMAID for the character you are auditioning for. We will also have a brief dance audition and read scenes from the script. There will be an optional audition prep day, on Saturday Feb 21 from 12pm-2pm if you'd like to prepare more. This is highly recommended.
Monologue Prep:
Please prepare a 1-2 minute monologue (available at https://www.beaconpatx.com/audition-info.html) for the character you are auditioning for. If you can, we'd love to hear you read it in the personality/accent of the character your are auditioning for. Memorization is a plus.