Delano Dramatic Company Auditions - Disney's "Newsies" May 14-16 at Delano High School
Jack Kelly and his ragtag team of newsboys make a meager living selling newspapers on the streets of New York City. But when the prices of "papes" are hiked, and the newsies are hung out to dry, there is nothing left to do but "open the gates and seize the day!" Led by charismatic Jack and the independent newspaper reporter Katherine Plumber, the newsies form a union and organize a strike against the greedy publisher of the New York World. The score includes the show-stopping "Seize the Day," power ballad "Santa Fe" and lovely new songs like Katherine's "Watch What Happens."
The first read/listen-through will be on Wednesday, 5/20, at 6 PM in Delano High School’s Old Auditorium. Rehearsals will be held on weekdays from 6 pm -8:30 pm through late June. All-calls begin in July and will rehearse from 6 to 9 most evenings. Rehearsal dates and call times will vary depending on your role. If cast as a lead, you should plan to rehearse most evenings.
Please prepare 16 to 32 bars of a song from a modern Broadway-style musical with a backing track. You will be able connect to the Bluetooth system in the audition room. If you’d like to be considered for a leading role, please memorize the song and one of the following monologues.
Everyone will be provided with sides to read at the auditions.
PLEASE NOTE THAT AGES IDENTIFIED IN CHARACTER DESCRIPTIONS ARE AGES PLAYABLE BY THE ACTOR, NOT THE ACTORS' AGES. ALSO NOTE THAT IDENTIFICATION OF GENDER IS FROM THE DISNEY MOVIE PRESENTATION. WITH THE EXCEPTION OF SEVERAL OF THE MAIN SPEAKING ROLES, OUR DIRECTOR IS OPEN TO MODIFICATIONS, SO PLEASE AUDITION FOR A ROLE YOU CAN BEST PERFORM.
CHARACTERS
THE KIDS
All of these roles require dance & solo singing except for Darcy and Bill. Many roles are non-gender specific; please audition for whichever role(s) you like!
JACK KELLY, the charismatic leader of the Manhattan newsies, is an orphaned dreamer and artist who yearns to get out of the crowded streets of New York and make a better life for himself out West. Fiercely protective of his best friend, Crutchie, and strongly loyal, Jack isn't afraid to use his voic attain better conditions for the working kids of New York City. Though living on the streets has given him a tough-guy exterior, Jack has a big heart and can demonstrate a sweet vulnerability - especially when it comes to bantering with a certain female reporter. Must have a great pop tenor voice and sense of physicality.
KATHERINE PLUMBER, an ambitious young reporter, works hard to make a name for herself as a legitimate journalist in a time when women aren't taken seriously. Quick, funny, and resourceful, she boldly captures the voice of a new generation with her coverage of the newsies' strike. While s h e generally has no time for cocky, streetwise young men, s h e m a k e s an exception for Jack. She only has a brief dance solo in "King of New York," and should have a great contemporary pop voice with a high belt and exceptional diction.
DAVEY, Les's straight-laced, bright big brother starts selling newspapers to help his family earn a living, but becomes swept up in the fervor of the strike. A leader in his own right who is learning to use his voice to uplift others, Davey is the brains of the resistance.
LES/LEY, Davey's cheeky younger sibling, is inspired by the freedom of the newsies and loves their independent lifestyle. A precocious and natural newsie, Les is an intuitive saleskid, and a pint-sized charmer. S/he should present as younger than the other newsies.
SPOT CONLON, the proud leader of the Brooklyn newsies, boasts an intimidating reputation and a short singing solo in "Brooklyn's Here."
CRUTCHIE is a dedicated newsie with a bum leg. Though he DARCY & BILL, are the upper-class kids of publishers walks with the assistance of a crutch, Crutchie doesn't let it bother him. Though his movement should suggest his bum leg, Crutchie is involved in dance numbers.
NEWSIES will be boys and girls. Roles include: ALBERT, BUTTONS, ELMER, FINCH, HENRY, IKE, JO JO, MIKE, MUSH, RACE, ROMEO, SPECS, SPLASHER, and TOMMY BOX. These roles also play SCABS, GOONS, BROOKLYN NEWSIES, and others as needed.
MEDDA & THE THEATER
With the exception of the stage manager, these are singing and dancing roles.
MEDDA LARKIN, inspired by vaudeville performer Aida Overton Walker, this big-voiced saloon singer and star of the Bowery offers her theater as a safe-haven for the newsies. An astute entertainer with great comic delivery, she's a good friend to Jack and stands firmly behind the newsies in their fight for justice. Medda may play other roles as needed.
BOWERY BEAUTIES are female performers at Medda's Theater. These roles also play HANNAH, Pulitzer's secretary; NUNS, CUSTOMERS, and others as needed.
MONOLOGUES
If you are auditioning for a speaking/solo-singing role, choose ONE monologue below that best fits the role(s) you wish to audition for. Please consider diction, volume, character traits, and motivation.
JOSEPH PULITZER: speaks to his staff about how he plans to increase his profits.
Gentlemen, the World is in trouble. Our circulation is down for the third quarter in a row. Whoever said "War is hell" wasn't trying to sell newspapers! People, just a modest adjustment can fatten the bottom line…..you're not thinking this through! Right now we charge the newsies fifty cents for a hundred papers. But if we raised their price to sixty cents per hundred...every single newsie would have to sell twenty-five more papers just to earn the same as always. It's genius! And to those who say it may be rough on those children, I say I'm giving them a real-life lesson in economics. I couldn't offer them a better education if they were my own!
JACK KELLY: pleads with the scabs who are threatening to work during the strike.
Listen, fellas. I know somebody put ya's up to this. Probably paid ya some extra money, too. Yeah? Well, it ain't right. Pulitzer thinks we're gutter rats with no respect for nothin', includin' each other. Is that who we are? Well, we stab each other in the back, and yeah, that's who we are! But, if we stand together, we change the whole game. And it ain't just about us. All across this city there are boys and girls who ought to be playin' or going to school. Instead, they're slavin' to support themselves and their folks. Ain't to crime to bein' poor, and not a one of us complains if the work we do is hard. All we ask is a square deal. Fellas..for the sake of all the kids in every sweatshop, factory, and slaughterhouse in this town, I beg you...throw down your papers and join the strike.
KATHERINE PLUMBER: tells Jack how to win the war against her father.
Really, Jack? Really? Only YOU can have a good idea? Being boss doesn't mean you have all the answers, just the brains to recognize the right answer when you hear it. The strike was your idea. The rally was Davy's. And now MY plan will take us to the finish line. Deal with it. (Holds up paper.) "The Children's Crusade: For the sake of all the kids in every sweatshop, factory, and slaughterhouse in New York, I beg you. join us!" With those words, the strike stopped being just about the newsies. You challenged a whole generation to stand up and demand a place at the table. Think, Jack, if we publish this - my words with one of your drawings, and if every worker under twenty-one read it and stayed home from work...or better yet, came to Newsies Square, we would have a general city- wide strike! Even my father couldn't ignore that!
JACK rallies the newsies to strike against the newspaper moguls.
Alright, here's the deal; if we don't sell papes, then NO ONE sells papes. Nobody gets to that window until they put the price back where it belongs. You heard Davey, we're on strike! We shut down this place like them workers shut down the trolleys.
KATHERINE: interviews the striking newsies.
The only thing I'm following is a story. A rag-tag group of ragamuffins wants to take on the kingmakers of New York. Think you have a chance? Question too difficult? I'll rephrase: will the richest and most powerful men in New York give the time of day to a gang of kids who haven't got a nickel to their name?
DAVEY gives Jack a pep talk.
Look, they got us this time. I'll grant you that. But then I saw this look on Weasel's face...he was actually nervous. And I realized, this isn't over. We got them worried. REALLY worried. And that's what you call a beginning.
CRUTCHIE begins his day by climbing down from Jack's rooftop penthouse in the sky.
I wanna beat the other fellas to the street. I don't want anyone should see….I ain't been walkin' so good. Someone gets the idea I can't make it on my own, they'll lock me up in The Refuge for good. Be a pal, Jack. Help me down?
PULITZER faces off with Jack.
You are as shameless and disrespectful a creature as I was told. Do you know what I was doing when I was your age, boy? I was fighting in a war. It taught me a lesson that shaped my life: you don't win a war on the battlefield. It's the headline that crowns the victor.
MEDDA LARKIN gives Jack advice he doesn't want to hear.
Here's everything I owe you for the first backdrop, plus this one, and even a little something extra just on account'a I'm gonna miss you so. Just tell me you're going somewhere, and not runnin' away. When you go somewhere and it turns out to be the wrong place, you can always go somewhere else. But if you're runnin' away. nowhere's ever the right place.
LES is livin' the life and impressing his older newsie friends.
What's the hold up? I need to let my girl know. We've got a date. Yeah, you heard me. Fame is one intoxicatin' potion. And this here girl, Sally? She's a plum. So can we table the palaver (pəˈlävər) and get back to business? Will Medda let us have the theater or not?