Something Rotten Audition Form
Theatre Nebula

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I am the parent or guardian of the auditioner. I give my permission for TheaterForms to collect this information and provide it to Theatre Nebula.
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Audition song (if you know what you will use):

Upload a picture of yourself.
A headshot is preferred. Otherwise a front-facing picture of your head or head and torso, with just you centered in it, is acceptable. (JPEG recommended)
Upload your theatrical résumé if you have one. (PDF only)
We prefer you to attend on the preliminary dates. If you cannot attend, then, and only then, may you submit a video audition. Make sure it only contains you, is well lit, has good sound, and only perform your song selection and monologue.
Please list your most recent acting experiences. Skip this if you are uploading a résumé or have a link to a talent profile entered above.
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Please tell us about any recent theatrical training you have had, or list special skills you have that might be useful in this production.
Please select at least one.
- Rock sound, sexy, “bad-boy” presence. (Rock Tenor)
- Nigel’s older brother, talented, but so desperate to be successful that he makes horrible decisions. (Tenor, Baritone)
- Nick’s younger brother, smart, creative, a true poet, and is in love with “love” and Portia. (High Baritone/Tenor)
- Considering male and female options, a soothsayer, the real Nostradamus’ nephew or niece. (Male-Baritone or Female-Mezzo)
- Nick’s boisterous wife, pretends to be a rough and tough man most of the show to help support her family. (Belter- Mezzo-Soprano)
- Portia’s father, a Puritan. Is outraged by homosexuals while more than likely being homosexual himself. (Tenor, Baritone)
- Brother Jeremiah’s daughter. In love with Nigel. She’s attracted to talented poets. (Youthful Soprano with a strong mix)
- Lord Clapham funds Nick’s theatre troupe, but refuses to fund their troupe unless they have another play by the next morning. (Tenor, Baritone)
- Opens Act 1 & 2, welcoming the audience to the Renaissance, and to join them all for this important story. (Tenor)
- A man with a stereotypical Jewish dialect. He desperately wants to fund Nick Bottom’s troupe, but it is illegal to employ a Jewish man. (Baritone)
- 5 Men, including Minstrel & Shylock who are also in the Ensemble. (Tenor, Baritone)
- 5 Women (Soprano, Mezzo-Soprano)
Conflicts
Please mark any conflicts you have with these rehearsal dates.
These are the dates our rehearsal schedule encompasses. All rehearsals are typically in the evening, Sundays through Thursdays. Based upon conflicts of those cast, some days may be changed to Fridays or Saturdays, but this is rare. You may not be required to attend all rehearsals, based upon the role in which you may be cast. Please check your calendar and check any dates when you cannot attend a rehearsal, so we can schedule rehearsals for specific scenes to minimize conflicts. AFTER ACTORS ARE CAST, AND BASED UPON CONFLICTS OF THOSE CAST, WE MAY ADD A SPECIAL PERFORMANCE ON APRIL 12, EASTER DAY.
Su M T W Th F Sa
February
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March
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No absences allowed (shown in bold):
All tech rehearsals and performances are required for all cast members. Your required attendance dates will depend on the role in which you are cast. We would like all to be at the first rehearsal and you must be in attendance during tech week, most likely starting Monday, March 9, but may start on Sunday, March 8.
Performances
Opening Night-Saturday, March 14, 2020 at 8:00 p.m.
The Run:
Fridays at 8:00 p.m.- March 20, 27, April 3, 10
Saturdays at 8:00 p.m.- March 14, 21, 28, April 4, 11
Sundays at 3:00 p.m.- March 15, 22, 29, April 5, (Possibly will add April 12, Easter Day)
Conflict notes

Schedule your Audition
Choose an audition appointment time slot.
Sunday, January 12
Monday, January 13