Newsies Audition Form
Georgetown Palace Theatre

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Please tell us about any recent theatrical training you have had, or list special skills you have that might be useful in this production.
Please select at least one.
- The charismatic leader of the Manhattan newsies, is an orphaned dreamer and artist who yearns to get out of the crowded streets of New York and make a better life for himself out West. Fiercely protective of his best friend, Crutchie, and strongly loyal, Jack isn’t afraid to use his voice to attain better conditions for the working kids of New York City. Though living on the streets has given him a tough-guy exterior, Jack has a big heart and can demonstrate a sweet vulnerability – especially when it comes to bantering with a certain female reporter. Must have a great pop tenor voice and sense of physicality. Gender: Male Age: 16 to 20 Vocal range top: A4 Vocal range bottom: Bb2
- A dedicated newsie with a bum leg that’s painful, but helps sell more papes. Though he walks with the assistance of a crutch, Crutchie doesn’t let it define him; when in a jam, Jack Kelly’s best friend relies on a goofy- sweet sense of humor and optimistic resilience. Crutchie is the heart of the resistance. Though his movement will suggest his bum leg, Crutchie should still be included in the dance numbers. Gender: Any Age: 13 to 17 Vocal range top: A4 Vocal range bottom: C3
- Les’s straight-laced, bright big brother starts selling newspapers to help his family earn a living, but becomes swept up in the fervor of the strike. A leader in his own right who is learning to use his voice to uplift others, Davey is the brains of the resistance. Gender: Male Age: 15 to 20 Vocal range top: A4 Vocal range bottom: D3
- Davey’s cheeky younger brother, is inspired by the freedom of the newsies and loves their independent lifestyle. A precocious and natural newsie, Les is an intuitive salesboy and a pint-sized charmer. He should present as younger than the other newsies. Gender: Male Age: 10 to 15 Vocal range top: Bb3 Vocal range bottom: Db3
- Including Albert, Buttons, Elmer, Finch, Henry, Ike, Jo Jo, Mike, Mush, Race, Romeo, Specs, Splasher, and Tommy Boy, are some of the hard-working kids of New York City that go on strike for a livable wage. Gender: Male Age: 13 to 20
- Three Newsies who are hesitant to join the strike. Gender: Any Age: 10 to 20
- The proud leader of the Brooklyn Newsies; boasts an intimidating reputation and a short singing solo in “Brooklyn’s Here.” Gender: Any Age: 17 to 20
- An ambitious young reporter; works hard to make a name for herself as a legitimate journalist in a time when women aren’t taken seriously. Quick, funny, and resourceful, she boldly captures the voice of a new generation rising in her coverage of the newsies’ strike. While she generally has no time for cocky, streetwise young men, she makes an exception for Jack Kelly. Though she only has a brief dance solo in “King of New York,” Katherine should have a great contemporary pop voice with a high belt – diction is key. Gender: Female Age: 17 to 20 Vocal range top: F5 Vocal range bottom: A3
- The upper-class kid of a publisher who sides with the newsies. Can double as a newsie. Gender: Any Age: 15 to 20
- The son of William Randolph Hearst who joins the newsies' cause. Can double as a newsie. Gender: Male Age: 15 to 25
- Or “Weasel,” runs the distribution window for the World and knows most of the newsies by name. Assisted by the intimidating Delancey brothers, who keep order by any means necessary, Wiesel is Pulitzer’s disgruntled paper- pusher. Gender: Male Age: 35 to 50
- Tough brothers who work at the distribution window for the World, take the side of the publishers in the strike and are known to use their fists to make a point. Gender: Male Age: 15 to 20
- Assist the Delanceys in roughing up the newsies at the end of Act One. Gender: Male Age: 15 to 20
- A pompous businessman through and through; owns the World and is concerned solely with the bottom line. Katherine’s no-nonsense father, Pulitzer doesn’t sympathize with the strikers, but he does eventually – and grudgingly – respect Jack. Gender: Male Age: 35 to 50 Vocal range top: F4 Vocal range bottom: C3
- Editor, advises Pulitzer, but ultimately admires the kids’ newspaper. Gender: Any
- Pulitzer’s bookkeeper; comes up with the ideas to raise the newsies’ price per paper. Gender: Any Age: 35 to 50
- Pulitzer’s practical and insightful secretary. Gender: Female Age: 20 to 40
- Pulitzer’s barber. Gender: Male Age: 30 to 50
- The Guard removes the newsies from Pulitzer’s building. Gender: Any Age: 20 to 60
- The crooked and sinister warden of The Refuge, a filthy and horrible orphanage, is concerned only with catching enough kids to keep his government checks coming. Gender: Any Age: 45 to 65
- Inspired by vaudeville performer Aida Overton Walker, this big-voiced saloon singer, and star of the Bowery offers her theater as a safe haven for the newsies. An astute entertainer with great comic delivery, she’s a good friend to Jack and stands firmly behind the newsies in their fight for justice. Gender: Female Age: 25 to 45 Vocal range top: E5 Vocal range bottom: F3
- Female performers at Medda’s Theater. Gender: Female Age: 18 to 30
- Introduces Medda's act. Gender: Any Age: 25 to 55
- The three nuns offer breakfast to the hungry newsies. Gender: Female Age: 20 to 60
- Takes the triumphant photo of the newsies at the end of “Seize the Day.” Gender: Any Age: 15 to 25
- A newspaper customer. Gender: Any Age: 15 to 45
- Allows the newsies to congregate in his restaurant to plan their strike – when he doesn’t have any paying customers, that is. Gender: Any Age: 35 to 55
- Assist Snyder and turn against the newsies in the fight that concludes Act One. Gender: Male Age: 20 to 60
- The Mayor of New York City rebuffs Pulitzer’s attempts to shut down the newsies’ strike. Gender: Male Age: 45 to 60
- A well-respected lifelong public servant; inspires Jack to stand up to Pulitzer. Gender: Male Age: 50 to 65
Conflicts
Please mark any conflicts you have with these rehearsal dates.
These are the dates of our rehearsal schedule. All rehearsals are in the evening. Please check your calendar and check any dates when you cannot attend a rehearsal, so we can schedule rehearsals for specific scenes to minimize conflicts. We will not typically rehearse on Sundays (except for tech rehearsal) UNLESS conflicts make a Saturday useless and we must use a Sunday instead, please make sure you give us your availability so we can schedule accordingly.
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No absences allowed (shown in bold):
While we would appreciate a schedule free of conflicts, we understand that you are volunteers and have lives. Please be as honest as possible, but as discerning as possible with said conflicts. We can and will work around them to our best abilities. Family, work and health come first, if cast we would ask that you put the show fourth. We typically on rehearse the Sunday before a show opens but if conflicts make Sunday a better bet than Saturday in some cases we will substitute a Sunday.
Performances
Newsies opens, Friday, August 30th and runs Friday's, Saturday's and Sundays until September 29th.
There is one Special needs inclusion show on September 12th.
Call is 6:30 Friday's and Saturday's for curtain at 7:30, Call for matinee's is 1:00 curtain at 2:00
Dependant on ticket sales, we sometimes add Matinee's on the last three Saturdays of the run, please make sure to keep those open. or let us know of any conflicts.
Conflict notes

Schedule your Audition
Choose an audition appointment time slot.
Saturday, June 15
Sunday, June 16

Are you over the age of 18?
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If family member(s) are also auditioning, will you accept a role if they are not cast?
Do you read music, and how well?
Liability Release:
I AGREE TO (OR AUTHORIZE MY MINOR CHILD TO) AUDITION FOR THIS PRODUCTION WITH THE GEORGETOWN PALACE THEATRE, WITH THE UNDERSTANDING THAT IF CAST, I (OR MY CHILD) WILL PARTICIPATE IN REHEARSALS AND PERFORM IN THE LIVE SHOW. I AUTHORIZE THE GEORGETOWN PALACE THEATRE (OR ANY OF ITS DIRECTORS OR OFFICERS) TO USE AT THEIR SOLE DISCRETION, ANY IMAGE, PHOTOGRAPH, FILM OR VIDEO OF ME (OR MY CHILD IF PERFORMER IS A MINOR) FOR PUBLICITY OR ARCHIVAL PURPOSES NOW OR IN THE FUTURE. I ALSO UNDERSTAND THAT LIVE PERFORMING ARTS ACTIVITIES HAVE POTENTIAL RISKS AND WITH MY SUBMISSION OF THIS FORM RELEASE THE GEORGETOWN PALACE THEATRE FROM ANY FAULT OR LIABILITY, AND AGREE TO HOLD THE GEORGETOWN PALACE THEATRE HARMLESS IN ANY MATTER THAT MAY ARISE OUT OF MY VOLUNTARY PARTICIPATION IN THIS PROJECT. Please indicate your acceptance by checking the box.
Please enter your initials:
Please indicate which areas of dance you've studied, and indicate length of training.
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Performance Conflicts:
Will you be missing any of the performances?
Please list which performance dates you would be missing why.
If at any time you have a problem filling out this form, please contact productions@georgetownpalace.com
Roles:
Will you accept a role other than listed on form?
Role Sharing:
The show will have a large number of performances, at least 25 with the inclusion show, with the possibility of adding 5 more if it sells really well. And with it being around the holidays, it's understandable that some who want to be involved will have performance conflicts. It's my preference not to double cast any of the roles unless I have to. But please don't let having performance conflicts prevent you from auditioning. Please indicate your feelings on role sharing:
gymnastic experience:
Please list any experience or special tumbling skills you have: flips, backflips, barrel roles, cartwheels, lifts etc.