Sister Act Audition Form
Georgetown Palace Theatre

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Parent/Guardian 1:
Parent/Guardian 2 (if applicable):
Address:
Guardian 1 Email:
Guardian 2 Email:
Email Address:
May we add you to our email lists?
    
Phones:
Please indicate with preference rating (1–5) the best ways for us to call parents or guardians.
Home:
Guardian 1:
Work:
Cell:
Guardian 2:
Work:
Cell:
Home phone:
Cell phone:
Preferred phone:
         
Gender:
Playing Age Range:
Vocal range:
Date of birth:
Conditions that may limit participation in some activities:
Allergies:
Other:
Audition song (if you know what you will use):

Upload a picture of yourself.
A headshot is preferred. Otherwise a front-facing picture of your head or head and torso, with just you centered in it, is acceptable. (JPEG recommended)
Upload your theatrical résumé if you have one. (PDF only)
Please list your most recent acting experiences. Skip this if you have a résumé PDF file to upload or a link to a talent profile entered above.
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Please tell us about any recent theatrical training you have had, or list special skills you have that might be useful in this production.
Please select at least one.
- An aspiring performer trying to find both fame and a place in the world. When forced to hide in a convent she initially refuses to embrace her new lifestyle but learns to embrace it when she works with the choir. Loud-mouthed and sassy, but ultimately caring.
- The head of the convent, sarcastic and a bit stiff. Extremely protective about keeping her sisters away from the influences and dangers of the outside world, which puts her in direct opposition to Deloris and her musical teachings. Her convent is failing, and while she puts on a strong front, she cannot save it alone.
- A postulate abandoned as a baby and raised at the convent. Young, shy and soft-spoken, but singing with Deloris lets her find her voice. Her wallflower lifestyle has made her feel like she has lived a shell of a life. She is terrified of making waves but yearns for deeper meaning.
- A nun of the convent keen to welcome and befriend Deloris. Consistently, almost pathologically, perky. She is highly enthusiastic and easily excitable.
- An older nun in the convent, and the head of the choir. Rather deadpan, and while she is not confrontational she is the least welcoming of the nuns. But despite her blunt nature, she too gets caught up in Deloris's soul music.
- One of the heads of the convent. Constantly concerned with financial matters, though it turns out soul music puts him in a different mood.
- A club owner, notorious gangster, and Deloris's boyfriend. Cocky and controlling, and he never shies away from violence. He has no tolerance for anyone who goes against him.
- The desk chief at the Philadelphia police station, and a high school classmate of Deloris who helps get her into hiding. Faces a lot of nerves when under pressure, causing him to sweat profusely. He still yearns for Deloris after all these years, and he dreams of being her hero.
- Curtis's nephew and one of his top thugs. Deft and cognizant of that fact, and constantly in a state of ignorant bliss.
- One of Curtis's top thugs, who believes himself to be quite the ladies man.
- One of Curtis's top thugs. A natural follower who speaks almost completely in Spanish.
- One of Deloris's backup singers. Lippy and always quick with a retort. This track will also be one of the choir nuns and assorted ensemble roles.
- One of Deloris's backup singers. A little thick and naive. This track will also be one of the choir nuns and assorted ensemble roles.
- One of Curtis's thugs. Initially thought to be a mindless yes-man, but her turns out to be an undercover police informant. This....does not go well for him. This track will also take on multiple male ensemble tracks.
- A nun of the convent. Clearly in her own world, but has her moments of surprising clarity. She is part of the choir and will take on assorted other ensemble tracks.
- The oldest nun at the convent. Decrepit at a glance, but secretly packs a punch. She does not necessarily have to be a part of the choir, so this role will be open for consideration to performers who do not sing and dance. This role will also take on additional ensemble tracks.
Conflicts
Please mark any conflicts you have with these rehearsal dates.
These are the dates of our rehearsal schedule. Weekday rehearsals are in the evening. Saturday/Sunday rehearsals will be during the day. Tech/dress rehearsals start on the weekend and are typically from 1 pm to 11 pm with a dinner break.
Please check your calendar and check any dates when you cannot attend a rehearsal, so we can schedule rehearsals for specific scenes to minimize conflicts.
The week of Spring Break (March 17th to 23rd) the weekend before and after may be different due to the "holiday". You may be asked to rehearse on a Friday night or Sunday evening. please list any conflicts you may have with those possible days to get the most accurate schedule.
Su M T W Th F Sa
February
24
March
1
3 89
10 16
23
2930
31
April
7
17181920
No absences allowed (shown in bold):
While we wish that all actors have no conflicts, we know that your health, family, and work are priorities and try to schedule to accommodate those needs. Please put us 4th on your priorities list and give us an honest list of conflicts so we can schedule accordingly.
Performances
Performances are Friday and Saturdays at 7:30 pm, and Sundays at 2 pm. Sometimes ticket demand causes us to add Saturday Matinee performances at 2 pm.
Conflict notes

Schedule your Audition
Choose an audition appointment time slot.
Saturday, February 2
Sunday, February 3

Are you over the age of 18?
Emergency Contact:
Relationship:
Emergency Contact Phone Number:
If family member(s) are also auditioning, will you accept a role if they are not cast?
Do you read music, and how well?
Liability Release:
I AGREE TO (OR AUTHORIZE MY MINOR CHILD TO) AUDITION FOR THIS PRODUCTION WITH THE GEORGETOWN PALACE THEATRE, WITH THE UNDERSTANDING THAT IF CAST, I (OR MY CHILD) WILL PARTICIPATE IN REHEARSALS AND PERFORM IN THE LIVE SHOW. I AUTHORIZE THE GEORGETOWN PALACE THEATRE (OR ANY OF ITS DIRECTORS OR OFFICERS) TO USE AT THEIR SOLE DISCRETION, ANY IMAGE, PHOTOGRAPH, FILM OR VIDEO OF ME (OR MY CHILD IF PERFORMER IS A MINOR) FOR PUBLICITY OR ARCHIVAL PURPOSES NOW OR IN THE FUTURE. I ALSO UNDERSTAND THAT LIVE PERFORMING ARTS ACTIVITIES HAVE POTENTIAL RISKS AND WITH MY SUBMISSION OF THIS FORM RELEASE THE GEORGETOWN PALACE THEATRE FROM ANY FAULT OR LIABILITY, AND AGREE TO HOLD THE GEORGETOWN PALACE THEATRE HARMLESS IN ANY MATTER THAT MAY ARISE OUT OF MY VOLUNTARY PARTICIPATION IN THIS PROJECT. Please indicate your acceptance by checking the box.
Please enter your initials:
Please indicate which areas of dance you've studied, and indicate length of training.
Jazz:
Ballet:
Modern:
Performance Conflicts:
Will you be missing any of the performances?
Please list which performance dates you would be missing why.
If at any time you have a problem filling out this form, please contact productions@georgetownpalace.com
Roles:
Will you accept a role other than listed on form?