White Christmas Audition Form
Georgetown Palace Theatre

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Auditioner's Name:
Parent/Guardian 1:
Parent/Guardian 2 (if applicable):
Address:
Guardian 1 Email:
   
Guardian 2 Email:
   
Email Address:
   
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Phones:
Please indicate with preference rating (1–5) the best ways for us to call parents or guardians.
Home:
Guardian 1:
Work:
Cell:
Guardian 2:
Work:
Cell:
Home phone:
Cell phone:
Preferred phone:
         
Gender:
Pronouns:
Height:
Date of birth:
What needs or conditions does your child have that we may help accommodate?
Allergies:
Other:
Audition song (if you know what you will use):
Headshot:
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An uploaded photo is required. A headshot is preferred. Otherwise a front-facing picture of your head or head and torso, with just you centered in it, is acceptable. (JPEG recommended)
Résumé:
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Please list your most recent acting experiences. Skip this if you are uploading a résumé or have a link to a talent profile entered above.
Title
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Please tell us about any recent theatrical training you have had, or list special skills you have that might be useful in this production.
Please select at least one.
- (30-40, any race): A former army captain and half of the song-and-dance duo Wallace and Davis, Bob is a world-wise, cynical yet charming individual with a strong sense of loyalty and duty. His key songs include “Happy Holidays,” “White Christmas,” “Count Your Blessings Instead of Sheep,” and “How Deep is the Ocean.” *Strong dancer preferred. Intimacy note: shares a kiss moment with Betty
- (28-35, any race): Phil, the other half of the duo, is Bob’s complete opposite – a fun-loving, adventurous, and somewhat mischievous individual who’s always on the lookout for a good time and romance. His main songs include “The Best Things Happen While You’re Dancing,” “Sisters (Reprise),” “I Love a Piano,” and “Count Your Blessings Instead of Sheep.”*Strong dancer with tap background preferred. Intimacy note: shares a kiss moment with Judy
- (25-35, any race): Betty is the older Haynes sister. She’s independent, pragmatic, and protective of her younger sister Judy. Despite her skepticism, she finds herself falling for Bob. Her featured songs include “Sisters,” “Count Your Blessings Instead of Sheep,” “Love, You Didn’t Do Right By Me,” and “How Deep is the Ocean.”*Strong dancer preferred. Intimacy note: shares a kiss moment with Bob
- (25-30, any race): Judy is the more vivacious and adventurous of the Haynes sisters. She’s a romantic at heart and often the driving force behind many of their decisions, including the one to follow Bob and Phil to Vermont. Her key songs include “Sisters,” “The Best Things Happen While You’re Dancing,” “I Love a Piano,” and “Snow.” *Strong dancer with tap background preferred. Intimacy note: shares a kiss moment with Phil
- (50-60, any race): The General is a stern, authoritative figure with a gruff exterior but a kind and caring heart. He’s the owner of the failing Vermont Inn and was the commanding officer of Bob and Phil during World War II.
- (45-50, any race): Martha is the General’s lovable and nosy housekeeper. She’s a Broadway performer in retirement and still has a flair for the dramatic. She has a heart of gold and only wants what’s best for the General. Her main songs include “Let Me Sing and I’m Happy” and “Falling Out of Love Can Be Fun.”
- (8-16, any race): Susan is the General’s curious and intelligent granddaughter with dreams of becoming a performer. She’s perceptive, smart, and sees life as a big opportunity. She sings “Let Me Sing and I’m Happy.”
- (mid to late 30’s, any race):
- (mid 20’s to early 30’s, any race):
- (mid 20’s to early 30’s, any race):
- (mid 40’s to late 50’s): doubles as Snoring Man
- (any age above 18, any race, any abilities)
Conflicts
Please mark any conflicts you have with these rehearsal dates.
These are the dates of our rehearsal schedule. All weekday rehearsals are in the evening from 7:00p-10:00p (until tech) and in the afternoon on weekends from 1:00p-5:00p. Please check your calendar and check any dates when you cannot attend a rehearsal, so we can schedule rehearsals for specific scenes to minimize conflicts. Adding all of your conflicts after casting could result in dismissal from the cast.
Su M T W Th F Sa
September
29
October
4
11
18
25
November
1
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No absences allowed (shown in bold):
All tech rehearsals and performances are required for all cast members.
Performances
Evening Performances will have a call time at 6:30p with curtain at 7:30p.
Matinee Performances will have a call time of 1:00p with curtain at 2:00p.
Evening Performances: Nov 22, 23, 29, 30, Dec 12, 13, 14, 19, 20, 21, 23, 27 and 28.
Matinee Performances: Nov 24, 30, Dec 1, 8, 14, 15, 21, 22, 28 and 29.
Conflict notes
Schedule your Audition
Choose an audition appointment time slot.
Sunday, August 11
Monday, August 12
If at any time you have a problem filling out this form, please contact productions@georgetownpalace.com.
Video Auds:
Please be advised that any part of the audition process could be recorded.
Over 18?:
Are you over the age of 18?
Minor:
If not over 18, are you 16 or 17?
Emergency Contact:
Relationship:
Emergency Contact Phone Number:
Liability Release:
I AGREE TO (OR AUTHORIZE MY MINOR CHILD TO) AUDITION FOR THIS PRODUCTION WITH THE GEORGETOWN PALACE THEATRE, WITH THE UNDERSTANDING THAT IF CAST, I (OR MY CHILD) WILL PARTICIPATE IN REHEARSALS AND PERFORM IN THE LIVE SHOW. I AUTHORIZE THE GEORGETOWN PALACE THEATRE (OR ANY OF ITS DIRECTORS OR OFFICERS) TO USE AT THEIR SOLE DISCRETION, ANY IMAGE, PHOTOGRAPH, FILM OR VIDEO OF ME (OR MY CHILD IF PERFORMER IS A MINOR) FOR PUBLICITY OR ARCHIVAL PURPOSES NOW OR IN THE FUTURE. I ALSO UNDERSTAND THAT LIVE PERFORMING ARTS ACTIVITIES HAVE POTENTIAL RISKS AND WITH MY SUBMISSION OF THIS FORM RELEASE THE GEORGETOWN PALACE THEATRE FROM ANY FAULT OR LIABILITY, AND AGREE TO HOLD THE GEORGETOWN PALACE THEATRE HARMLESS IN ANY MATTER THAT MAY ARISE OUT OF MY VOLUNTARY PARTICIPATION IN THIS PROJECT. Please indicate your acceptance by checking the box.
Please enter your initials:
Family?:
Family 2:
If your family member is also auditioning, please list their name.
Read Music?:
Do you read music, and how well?
Vocal Part?:
What vocal part(s) you typically sing in a choral ensemble? Please select all that apply.
Please indicate which areas of dance you've studied, and indicate length of training.
Ballet:
Jazz:
Tap:
Other dance experience:
Please share any other dance or movement experience, such as traditional dances, partner work, contemporary, martial arts, etc...
Gymnastic Experience:
Please list any experience or special tumbling skills you have: flips, backflips, barrel roles, cartwheels, lifts etc.
Roles accepted:
I am willing to accept:
Understudy?:
Would you be interested in being cast as an understudy or swing role?
Role Sharing:
The show will have a large number of performances, at least 23 with the inclusion show, with the possibility of adding more if it sells really well. And with it being around the holidays, it's understandable that some who want to be involved will have performance conflicts. It's our preference not to double cast any of the roles unless we have to. But please don't let having performance conflicts prevent you from auditioning. Please indicate your feelings on role sharing:
Appearance:
Are you willing to change your appearance if cast in the production? Shave facial hair? Dye Hair? Cut Hair?
Intimacy:
Are you comfortable with the intimacy as written in the character descriptions?
Performance Conflicts:
Will you be missing any of the performances?
explain perf conflict:
Please list which performance dates you would be missing.
perf conflicts negot:
Are any of the performance conflicts negotiable?
Contact Method:
What is your preferred method of contact?
Social Media:
What social media platforms do you use?
Audition Info:
How did you hear about auditions?
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