Big Fish Audition Form
Theatre Tuscaloosa

If you are a member of TheaterForms, log in to prefill form fields from your profile.

I am the parent or guardian of the auditioner. I give my permission for TheaterForms to collect this information and provide it to Theatre Tuscaloosa.
Parent/Guardian 1:
Parent/Guardian 2 (if applicable):
Address:
Guardian 1 Email:
   
Guardian 2 Email:
   
Email Address:
   
May we add you to our email lists?
    
Phones:
Please indicate with preference rating (1–5) the best ways for us to call parents or guardians.
Home:
Guardian 1:
Work:
Cell:
Guardian 2:
Work:
Cell:
Home phone:
Cell phone:
Preferred phone:
         
Gender:
Pronouns:
Height:
Vocal range:
Date of birth:
What needs or conditions does your child have that we may help accommodate?
Allergies:
Other:
Audition song (if you know what you will use):

Upload a picture of yourself.
A headshot is preferred. Otherwise a front-facing picture of your head or head and torso, with just you centered in it, is acceptable. (JPEG recommended)
Upload your theatrical résumé if you have one. (PDF only)
File (required)
Please include an image or PDF of your sheet music if you will be using our provided accompanist or an MP3 of your accompaniment track if you are not using the provided accompanist. You will need to perform 60 seconds of a contemporary musical theatre song. Please rename your file before uploading to include your name and the song name. Example: Sophie.Webber_Let.It.Go
Please list your most recent acting experiences. Skip this if you are uploading a résumé.
Title
Role
Year
Theater
Director
Title
Role
Year
Theater
Director
Title
Role
Year
Theater
Director
Title
Role
Year
Theater
Director
Title
Role
Year
Theater
Director
Please tell us about any recent theatrical training you have had, or list special skills you have that might be useful in this production - particularly circus-style skills (baton twirling, juggling, stilt-walking, etc.):
Please select at least one.
- older man (father and beyond, actor ages 35-60). Edward is a charming, charismatic storyteller. A devoted yet absent father nearing the end of his life and wanting to reconnect with his son, Will. He is comfortable in his own skin, but hopes for Will’s approval. He absolutely loves his wife, his son, and telling stories.
- (25-50) - Edward’s wife. Warm, bubbly, and full of light – she matches Edward’s enthusiasm while also keeping him grounded. Her grounded optimism brings balance to Edward’s wild imagination. Her joyful spirit creates a striking contrast with her moments of vulnerability. Must be able to navigate both comedy and deep emotional vulnerability. Appears at various stages in life. (Soprano G3-E5)
- (8-12) – To play approximately 10 years old. The child version of Will, Edward’s son. He is precocious and intelligent. He is s told all of Edward’s fantastic tales, isn’t quite sure if they’re real.
- adult (All but little boy, actor ages 20-30). Will is a critical part of the story. He is an earnest, serious, thoughtful young man wanting to reconnect with his storytelling father, but unable to appreciate Edward’s romantic view of life. He is a successful professional and new husband.
- (actor ages 18-30). Will’s wife. Successful adult, sweet, intelligent, and organically compatible with Will. Josephine acts as the bridge between Edward and Will, explaining the deeper meaning of the stories. Often on stage. No singing. No dance. Serious character acting.
- (actor ages 18-40). Edward’s best friend. Karl is shy, exceptionally intelligent, hermitlike, and has a quiet charisma. He needs a booming voice and large personality. Needs to be decently tall, but not a “giant.” Bass voice.
- adult male, circus owner (actor ages 30-50). Amos is the rather eccentric, quirky owner of the circus that employs young Edward. He also happens to be a werewolf (in Edward’s tales).
- adult female (actor age 20-40). Commanding performer with great confidence and storytelling ability. She convinces Edward to pursue a Big Life without fear. Needs belt voice, mezzo soprano. Some dance, could be extensive. Songs: I Know What You Want
- (20-50) – Edward's high school girlfriend. She has dignity and honesty. She is crucial in helping Will understand Edward and Edward’s motivations. No movement, but serious acting needed. Also included in ensemble.
- (high school, college, and mayor, actor ages 20-45, possibly two actors). Older snarky bully. Sandra’s first fiancé. Needs a bigger than life acting style. Possible movement but not crucial. Songs: Out There on the Road, Start Over
- (high school, college, and later, actor ages 20-45). Nerdy brother and shadow of Don Price.
- considerably older man (actor ages 45-75). Warm, kind, frank, soft-spoken friend and physician of Edward. Needs realistic actor. No singing or dancing necessary.
- male, assassin (actor ages 18-28). World War II villain. Needs fight scene movement abilities.
- adult male (actor ages 30-60). Typical small town good-guy mayor personality.
- two of Sandra’s friends (actors age 15-25). Perform with Sandra at the circus. Needs strong singing and dancing skills.
- adult male (actor age 18-35) hometown redneck. Needs strong singing and dancing skills.
- Assorted ages, age 14 and older. All sing and move. Some individuals will do extensive dance, but not all.
Conflicts
Please mark any conflicts you have with these rehearsal dates.
These are the dates of our rehearsal schedule. All weekday rehearsals are in the evening. Weekend rehearsal times vary. Please check your calendar and check any dates when you cannot attend a rehearsal, so we can schedule rehearsals for specific scenes to minimize conflicts.
Su M T W Th F Sa
May
17 2223
2425
31
June
7
14 1920
21 27
28
July
1 34
5 891011
12131415161718
19202122232425
262728293031
No absences allowed (shown in bold):
All tech rehearsals (07/08-07/15), the designers' watch (07/01), and performances (07/16-07/26) are required for all cast members, which is why you cannot mark them as conflicts. If you have a conflict with one of these dates and still wish to audition, please list the conflict(s) in the notes section.
Performances
​​​If you cannot attend one of these, you MUST list it as a conflict in the conflict notes section since this system will NOT allow you to set a performance as a conflict. Please double check ALL of the following dates & times:
Thursday, July 16, 2026 - 7:30 p.m. - Pay-What-You-Can
Friday, July 17, 2026 - 7:30 p.m. - Opening Night
Saturday, July 18, 2026 - 7:30 p.m.
Sunday, July 19, 2026 - 2:00 p.m. - Matinee
Wednesday, July 22, 2026 - 2:00 p.m. - Matinee
Thursday, July 23, 2026 - 7:30 p.m.
Friday, July 24, 2026 - 7:30 p.m.
Saturday, July 25, 2026 - 2:00 p.m. - Matinee
Sunday, July 26, 2026 - 2:00 p.m. - Matinee
Conflict notes

Schedule your Audition
Choose an audition appointment time slot.
Saturday, May 2
Sunday, May 3

Photo Release:
Do you agree that if you participate in this production, you irrevocably grant Theatre Tuscaloosa and Shelton State Community College the right to photograph you during rehearsals, performances, or other arranged times, and to use your name and said photographs in perpetuity and in any medium for promotion of this production, promotion of Theatre Tuscaloosa and/or Shelton State Community College, and historical documentation?
Callbacks:
Are you available for callbacks on Monday, May 4, at 6:00 p.m.?
Role Acceptance:
Are you willing to accept any role the casting team feels suits you and the production best?
Understudy/Swing:
Are you willing to serve as an understudy or swing?
Volunteer Interests:
NEW: Starting with this production, crew assignments will be posted along with the cast list. Crew will be welcome to participate throughout the rehearsal process. If you are not cast in the show, in which of the following areas are you interested and/or willing to serve? (Check all that apply.)
SSCC Student:
Are you a current SSCC Student?
Onstage Intimacy:
Are you comfortable with on stage kissing?