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Please select at least one.
- (Male 30-60’s) any ethnicity. A traditional British butler in every sense: uptight, formal and “by the book.” He is the driving force in the play. Physically demanding role.
- (Female 20-30’s) any ethnicity. A sexy, French Maid, with her own secret aspirations.
- (Male 40-60’s) any ethnicity. A puffy, pompous, dense, blow-hard of a military man.
- (Female 45-60’s) any ethnicity. A pale, morbid, and tragic woman. Mrs. White may or may not be the murderer of her five ex-husbands.
- (Female 40-60’s) any ethnicity. The church-going wife of a Senator. A bit batty, neurotic, and quick to hysteria. Physically demanding role.
- (Male 30-40’s) any ethnicity. A timid, yet officious, rule follower. He’s a bit of a klutz and awfully anxious. Physically demanding role.
- (Female 20-50) any ethnicity. A dry, sardonic D.C. Madam who is more interested in secrets than sex.
- (Male 40-60’s) any ethnicity. An academic Casanova who woos women with his big … brain.
- (Female 25 to 40) any ethnicity. Will play a number of smaller parts and may cover Principal roles. Physically demanding role. Including: THE COOK, a gruff woman with a threatening presence. (Alive and Dead.) SINGING TELEGRAM GIRL, a tap dancer with a heart of gold. (Alive and Dead.) AUXILIARY SCARLET, the back of Miss Scarlet during a scene of theatrical trickery. BACKUP COP, backup for the Chief in the very final Cop entrance.
- (Male 25 to 40) any ethnicity. Will play a number of smaller parts and may cover Principal roles. Physically demanding role. Including: MR. BODDY, a slick, Frank Sinatra, film noir-esque type fella. (Alive and Dead.) THE MOTORIST, a professional driver. (Alive and Dead.) CHIEF OF POLICE, a cop who helps to save the day.
- (Male 25 to 40) any ethnicity. Will play a number of smaller parts and may cover Principal roles. Including: THE UNEXPECTED COP, a regular Joe. (Alive and Dead.) BACKUP COP, backup for the Chief. AUXILIARY MUSTARD, the back of Colonel Mustard during a scene of theatrical trickery.
Photo Release:
Do you agree that if you participate in this production, you irrevocably grant Theatre Tuscaloosa and Shelton State Community College the right to photograph you during rehearsals, performances, or other arranged times, and to use your name and said photographs in perpetuity and in any medium for promotion of this production, promotion of Theatre Tuscaloosa and/or Shelton State Community College, and historical documentation?